{"id":988,"date":"2026-02-07T06:53:07","date_gmt":"2026-02-07T06:53:07","guid":{"rendered":"https:\/\/arttao.net\/?page_id=988"},"modified":"2026-02-07T18:11:29","modified_gmt":"2026-02-07T18:11:29","slug":"b2-4-spiral","status":"publish","type":"page","link":"https:\/\/arttao.net\/en\/b2-4%e3%80%81%e8%9e%ba%e6%97%8b%e5%bd%a2\/","title":{"rendered":"B2-4, Rectangle"},"content":{"rendered":"<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"821\" src=\"https:\/\/arttao.net\/wp-content\/uploads\/2026\/02\/Image_20230629080503-1024x821.jpg\" alt=\"\" class=\"wp-image-989\" srcset=\"https:\/\/arttao.net\/wp-content\/uploads\/2026\/02\/Image_20230629080503-1024x821.jpg 1024w, https:\/\/arttao.net\/wp-content\/uploads\/2026\/02\/Image_20230629080503-600x481.jpg 600w, https:\/\/arttao.net\/wp-content\/uploads\/2026\/02\/Image_20230629080503-300x241.jpg 300w, https:\/\/arttao.net\/wp-content\/uploads\/2026\/02\/Image_20230629080503-768x616.jpg 768w, https:\/\/arttao.net\/wp-content\/uploads\/2026\/02\/Image_20230629080503-1536x1232.jpg 1536w, https:\/\/arttao.net\/wp-content\/uploads\/2026\/02\/Image_20230629080503-2048x1643.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><br><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><br>4. Rectangle<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"480\" src=\"https:\/\/arttao.net\/wp-content\/uploads\/2026\/02\/rose-yes-Sticker-by-HeyTVM.gif\" alt=\"\" class=\"wp-image-1025\" style=\"width:50px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">In the basic geometric symbol system, the rectangle is a structural form that combines stability and directionality. Unlike the absolute balance of the square, the rectangle introduces differences in length, shifting the geometry from a state of complete symmetry to one dominated by proportional relationships. This difference is the fundamental source of the rectangle&#039;s symbolic meaning.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Geometrically, the rectangle retains right angles and clear boundaries, thus remaining a highly rational form. It clearly distinguishes between inside and outside, top and bottom and left and right, emphasizing the divisibility and controllability of space. This allows the rectangle to symbolically inherit the orderly attributes of the square, often associated with rational structures, artificial spaces, and institutionalized frameworks. However, unlike the square, the order of the rectangle is not static but driven by proportional relationships.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The most important symbolic feature of a rectangle lies in the directionality introduced by its proportions. The difference between the long and short sides naturally gives a rectangle a tendency to &quot;expand.&quot; Horizontal rectangles emphasize extension, spread, and horizontal relationships, while vertical rectangles emphasize upward movement, hierarchy, and vertical structure. This directionality makes rectangles symbolically associated with spatial organization, process unfolding, or structural advancement, rather than simply as stable containers.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"480\" src=\"https:\/\/arttao.net\/wp-content\/uploads\/2026\/02\/rose-yes-Sticker-by-HeyTVM.gif\" alt=\"\" class=\"wp-image-1025\" style=\"width:45px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">In the context of geometric abstraction, the rectangle often plays the role of &quot;supporting structure.&quot; Unlike a circle, it doesn&#039;t dissolve direction, nor does it create sharp tension like a triangle. Instead, it organizes space in a rational and continuous way. The rectangle provides boundaries for content but doesn&#039;t close off changes. This &quot;expandable boundary&quot; makes the rectangle a core unit in system composition, modular arrangement, and grid structure.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The rectangle also possesses significant functional symbolism. In modern visual culture, the rectangle is frequently used as the basic form for interfaces, frames, pages, and windows. This is not accidental, but rather stems from the fact that the rectangle is structurally best suited for carrying information and organizing content. Therefore, the symbolic meaning of the rectangle has gradually shifted from a purely geometric level to a cognitive and operational level, becoming a spatial form that is &quot;readable&quot; and &quot;usable.&quot;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Compared to a square, a rectangle&#039;s stability is more realistic than idealistic. It doesn&#039;t strive for absolute balance, but rather maintains order within disproportionate dimensions. This characteristic makes the rectangle symbolically associated with real-world structures, functional spaces, and practical logic, rather than pointing to an abstract state of perfection. The rationality of the rectangle is a rationality used, not a rationality conceptualized.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"320\" height=\"480\" src=\"https:\/\/arttao.net\/wp-content\/uploads\/2026\/02\/rose-yes-Sticker-by-HeyTVM.gif\" alt=\"\" class=\"wp-image-1025\" style=\"width:43px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">It is worth noting that the symbolism of a rectangle is highly dependent on the choice of proportion. When the proportion is close to that of a square, its stability is enhanced; when the proportion is stretched to an extreme, its directionality and tension are strengthened. In repetitive, arranged, or nested structures, the rectangle quickly transforms into a systematic symbol, and its symbolic meaning shifts from an individual form to the overall structure.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Therefore, in the symbolic analysis of basic geometric symbols, the rectangle is not simply an &quot;unequal square,&quot; but a key form that introduces direction through proportion and carries structure through its boundaries. It does not symbolize static order, but rather a rational space that can be organized, expanded, and used; it is an important intermediary connecting stable structures and real-world functions within the geometric symbol system.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"480\" src=\"https:\/\/arttao.net\/wp-content\/uploads\/2026\/02\/art23.gif\" alt=\"\" class=\"wp-image-1014\" style=\"width:72px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\r\n        <div class=\"arttao-tts-wrap\" data-selector=\".entry-content p, .entry-content li, .arttao-tts-source-content p\" style=\"margin:12px 0;\">\r\n          <audio id=\"arttao-tts-audio\" controls preload=\"none\" style=\"width:100%; max-width:800px;\"><\/audio>\r\n          <div id=\"arttao-tts-status\" style=\"font-size:13px; margin-top:6px; color:#F7FFFF;\"><\/div>\r\n        <\/div>\r\n        <details class=\"arttao-tts-accordion\" style=\"margin: 20px 0;\">\r\n            <summary>Lesson B2-4: Symbolic Analysis of Basic Geometric Symbols - Rectangle (Click to view and listen to the reading)<\/summary>\r\n            <div class=\"arttao-tts-source-content\">\r\n                <p>    <strong><br \/><\/strong>In the basic geometric symbol system, the rectangle is a structural form that combines stability and directionality. Unlike the absolute balance of the square, the rectangle introduces differences in length, shifting the geometry from a state of complete symmetry to one dominated by proportional relationships. This difference is the fundamental source of the rectangle&#039;s symbolic meaning. Geometrically, the rectangle retains the characteristics of right angles and clear boundaries, thus remaining a highly rational form. It clearly distinguishes between inside and outside, top and bottom and left and right, emphasizing the divisibility and controllability of space. This allows the rectangle to inherit the orderly attributes of the square on a symbolic level, often associated with rational structures, artificial spaces, and institutionalized frameworks. However, unlike the square, the order of the rectangle is not static but driven by proportional relationships. The most important symbolic feature of the rectangle lies in the directionality introduced by its proportions. The difference between the long and short sides gives the rectangle a natural tendency to &quot;expand.&quot; Horizontal rectangles emphasize extension, spread, and horizontal relationships, while vertical rectangles emphasize upward movement, hierarchy, and vertical structure. This directionality makes the rectangle often associated with spatial organization, process unfolding, or structural advancement on a symbolic level, rather than simply being a stable container. In the context of geometric abstraction, the rectangle often plays the role of &quot;structure carrier.&quot; Unlike a circle, it doesn&#039;t dissolve direction, nor does it create sharp tension like a triangle; instead, it organizes space in a rational and continuous way. The rectangle provides boundaries for content without closing off change. This &quot;expandable boundary&quot; makes the rectangle a core unit in system composition, modular arrangement, and grid structures. The rectangle also possesses significant functional symbolism. In modern visual culture, the rectangle is often used as the basic form of interfaces, frames, pages, and windows. This is not accidental, but stems from the rectangle&#039;s structural suitability for carrying information and organizing content. Therefore, the symbolic meaning of the rectangle has gradually shifted from a purely geometric level to a cognitive and operational level, becoming a spatial form that is &quot;readable&quot; and &quot;usable.&quot; Compared to a square, the rectangle&#039;s stability is more realistic than idealistic. It does not pursue absolute balance but maintains order within unequal proportions. This characteristic makes the rectangle symbolically associated with real structures, functional spaces, and practical logic, rather than pointing to an abstract state of perfection. The rationality of the rectangle is a rationality of use, not a rationality of conceptualization. It is worth noting that the symbolism of the rectangle is highly dependent on the choice of proportion. When the proportions approach those of a square, its stability increases; when the proportions are stretched to an extreme, its directionality and tension intensify. In repetitive, arranged, or nested structures, the rectangle quickly transforms into a systematic symbol, its symbolic meaning shifting from an individual form to the overall structure. Therefore, in the symbolic analysis of basic geometric symbols, the rectangle is not simply an &quot;unequal square,&quot; but a key form that introduces direction through proportion and carries structure through its boundaries. It symbolizes not static order, but a rational space that can be organized, expanded, and used; it is an important intermediary connecting stable structures and real-world functions within the geometric symbol system.<\/p>\n\r\n            <\/div>\r\n        <\/details><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>4\u3001\u77e9\u5f62 \u5728\u57fa\u672c\u51e0\u4f55\u7b26\u53f7\u4f53\u7cfb\u4e2d\uff0c\u77e9\u5f62\u662f\u4e00\u79cd\u517c\u5177\u7a33\u5b9a\u6027\u4e0e\u65b9\u5411\u6027\u7684\u7ed3\u6784\u5f62\u6001\u3002\u4e0e\u6b63\u65b9\u5f62\u7684\u7edd\u5bf9\u5747\u8861\u4e0d\u540c\uff0c\u77e9\u5f62\u5728\u7ed3\u6784\u4e0a\u5f15 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_crdt_document":"","footnotes":""},"class_list":["post-988","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arttao.net\/en\/wp-json\/wp\/v2\/pages\/988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arttao.net\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arttao.net\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arttao.net\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arttao.net\/en\/wp-json\/wp\/v2\/comments?post=988"}],"version-history":[{"count":6,"href":"https:\/\/arttao.net\/en\/wp-json\/wp\/v2\/pages\/988\/revisions"}],"predecessor-version":[{"id":1026,"href":"https:\/\/arttao.net\/en\/wp-json\/wp\/v2\/pages\/988\/revisions\/1026"}],"wp:attachment":[{"href":"https:\/\/arttao.net\/en\/wp-json\/wp\/v2\/media?parent=988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}