{"id":2148,"date":"2026-03-17T00:36:50","date_gmt":"2026-03-17T00:36:50","guid":{"rendered":"https:\/\/arttao.net\/?page_id=2148"},"modified":"2026-03-17T01:06:09","modified_gmt":"2026-03-17T01:06:09","slug":"frantisek-kupkanin-newton-diskleri-uzerine-calisma-adli-eserinin-f2-13-numarali-analizi","status":"publish","type":"page","link":"https:\/\/arttao.net\/tr\/f2-13-frantisek-kupka-%e7%9a%84%e3%80%8astudy-for-disks-of-newton%e3%80%8b%e4%bd%9c%e5%93%81%e5%88%86%e6%9e%90\/","title":{"rendered":"F2-13&#039;\u00fcn Analizi. Franti\u0161ek Kupka&#039;n\u0131n &quot;Newton Diskleri&quot; \u00dczerine \u00c7al\u0131\u015fmas\u0131"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"573\" height=\"379\" src=\"https:\/\/arttao.net\/wp-content\/uploads\/2026\/03\/7-orphism.jpg\" alt=\"\" class=\"wp-image-2149\" style=\"width:607px;height:auto\" srcset=\"https:\/\/arttao.net\/wp-content\/uploads\/2026\/03\/7-orphism.jpg 573w, https:\/\/arttao.net\/wp-content\/uploads\/2026\/03\/7-orphism-300x198.jpg 300w\" sizes=\"auto, (max-width: 573px) 100vw, 573px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Franti\u0161ek Kupka&#039;n\u0131n 1911-1912 civar\u0131nda yapt\u0131\u011f\u0131 ve 1912 tarihli bir yaz\u0131t i\u00e7eren *\u201cNewton Diskleri\u201d i\u00e7in \u00c7al\u0131\u015fma* adl\u0131 eseri \u015fu anda New York&#039;taki Guggenheim M\u00fczesi&#039;nde bulunmaktad\u0131r. Ka\u011f\u0131t \u00fczerine yap\u0131lm\u0131\u015f olan eser, yakla\u015f\u0131k 24,8 \u00d7 27,9 cm boyutlar\u0131ndad\u0131r. Ka\u011f\u0131t \u00fczerine bir \u00e7al\u0131\u015fma olmas\u0131na ra\u011fmen, bu eser s\u0131radan bir eskiz de\u011fil, Kupka&#039;n\u0131n saf soyutlamaya do\u011fru yolculu\u011funda \u00f6nemli bir bi\u00e7imsel deneydir. Guggenheim bu eseri Orffian koleksiyonuna dahil etmi\u015f ve *Newton Diskleri (\u201c\u0130ki Renkte F\u00fcg\u201d i\u00e7in \u00c7al\u0131\u015fma)* resmi ba\u015fl\u0131\u011f\u0131, Kupka&#039;n\u0131n renk, optik ve m\u00fczikal organizasyonu yeni bir soyut dilde birle\u015ftirmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131 daha da g\u00f6stermektedir.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bu eser &quot;e\u015f merkezli geni\u015fleme mod\u00fcl\u00fc&quot; \u00e7er\u00e7evesinde anla\u015f\u0131ld\u0131\u011f\u0131nda, tipikli\u011fi \u00e7ok daha belirgin hale gelir. G\u00f6r\u00fcnt\u00fc yatay ve dikey \u0131zgaralardan olu\u015fmaz, bunun yerine merkezler, diskler, yaylar ve halka \u015feklindeki renk bantlar\u0131ndan olu\u015fan temel bir d\u00fczen kullan\u0131r ve merkezden s\u00fcrekli olarak d\u0131\u015fa do\u011fru geni\u015fler. Burada &quot;e\u015f merkezlilik&quot;, halkalar\u0131n mekanik bir \u015fekilde birbirine kenetlenmesi de\u011fil, ritmik bir geni\u015fleme yap\u0131s\u0131d\u0131r: baz\u0131 diskler tam ve nettir, baz\u0131lar\u0131 sadece yay par\u00e7alar\u0131d\u0131r, baz\u0131 renk halkalar\u0131 birbirinin \u00fczerine biner ve baz\u0131lar\u0131 g\u00f6r\u00fcnt\u00fcn\u00fcn kenar\u0131na do\u011fru yay\u0131l\u0131yor gibi g\u00f6r\u00fcn\u00fcr. Ba\u015fka bir deyi\u015fle, Kupka statik dairesel nesneler tasvir etmiyor, bunun yerine \u00e7evresel ili\u015fkileri kullanarak s\u00fcrekli ta\u015fan bir g\u00f6rsel enerji alan\u0131 d\u00fczenliyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bu \u00e7al\u0131\u015fman\u0131n en dikkat \u00e7ekici y\u00f6n\u00fc, &quot;\u00e7emberi&quot; salt geometrik bir bi\u00e7imden yap\u0131sal bir ilkeye y\u00fckseltmesidir. Britannica&#039;n\u0131n *Newton Diskleri (\u0130ki Renkte F\u00fcg i\u00e7in \u00c7al\u0131\u015fma)* adl\u0131 bi\u00e7imsel eser hakk\u0131ndaki a\u00e7\u0131klamas\u0131, ba\u015fl\u0131\u011f\u0131n do\u011frudan Newton&#039;\u0131n spektrum \u00fczerine yapt\u0131\u011f\u0131 ara\u015ft\u0131rmalarla, \u00f6zellikle de g\u00fcne\u015f \u0131\u015f\u0131\u011f\u0131n\u0131n s\u00fcrekli bir renk spektrumuna ayr\u0131\u015ft\u0131r\u0131labilece\u011fi fikriyle ilgili oldu\u011funu belirtiyor. Bu \u00e7al\u0131\u015fmada, k\u0131rm\u0131z\u0131, turuncu, sar\u0131, ye\u015fil ve mavi bantlar bir nesnenin y\u00fczeyine ba\u011fl\u0131 de\u011fil, bunun yerine d\u00f6nen, \u00fcst \u00fcste binen ve ilerleyen dairesel bir sistem halinde d\u00fczenlenmi\u015ftir. Renk burada art\u0131k bir dolgu malzemesi de\u011fil, yap\u0131n\u0131n kendisinin bir par\u00e7as\u0131d\u0131r: renkler ne kadar d\u0131\u015fa do\u011fru geni\u015flerse, dairesel d\u00fczen o kadar g\u00fc\u00e7lenir ve b\u00f6ylece t\u00fcm kompozisyona merkezden yay\u0131lan titre\u015fimli bir ritim kazand\u0131r\u0131r.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">G\u00f6rsel olarak, bu eserin cazibesi simetride de\u011fil, &quot;hareket i\u00e7indeki d\u00fczende&quot; yatmaktad\u0131r. E\u015fmerkezli geni\u015fleyen mod\u00fcller genellikle kat\u0131 bir tekrara d\u00fc\u015fer, ancak Kupka, boyut farkl\u0131l\u0131klar\u0131, s\u00fcreksiz e\u011friler, \u00fcst \u00fcste binen renk katmanlar\u0131 ve y\u00f6n de\u011fi\u015fiklikleri yoluyla g\u00f6r\u00fcnt\u00fcn\u00fcn canl\u0131l\u0131\u011f\u0131n\u0131 korur. \u0130zleyicinin g\u00f6rd\u00fc\u011f\u00fc \u015fey, kat\u0131, kilitli bir dairesel sistem de\u011fil, s\u00fcrekli titre\u015fen diskler, ses dalgalar\u0131 veya izler dizisidir. Bu nedenle, bu eser iki boyutlu bir soyutlama olmas\u0131na ra\u011fmen, g\u00fc\u00e7l\u00fc bir zaman ve m\u00fczik duygusuna sahiptir. Britannica, ba\u015fl\u0131kta yer alan &quot;F\u00fcg&quot;\u00fcn m\u00fczikteki f\u00fcge at\u0131fta bulundu\u011funu a\u00e7\u0131k\u00e7a belirtir ve Kupka, g\u00f6rsel yap\u0131y\u0131 bir m\u00fczik temas\u0131 gibi tekrarlayan, de\u011fi\u015fen ve ilerleyen bir \u015fekilde olu\u015fturmaya \u00e7al\u0131\u015fmaktad\u0131r.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bu ayn\u0131 zamanda *\u201cNewton Diskleri\u201d \u00c7al\u0131\u015fmas\u0131*&#039;n\u0131n geometrik soyutlama tarihinde neden bu kadar \u00f6nemli oldu\u011funu da a\u00e7\u0131kl\u0131yor. \u201cE\u015f merkezli geni\u015fleyen mod\u00fcllerin\u201d sadece i\u00e7 i\u00e7e ge\u00e7mi\u015f daireler olmad\u0131\u011f\u0131n\u0131, daha karma\u015f\u0131k bir alg\u0131 sistemine d\u00f6n\u00fc\u015febilece\u011fini g\u00f6steriyor: merkez odaklan\u0131yor, d\u0131\u015f halkalar da\u011f\u0131l\u0131yor, \u00f6rt\u00fc\u015fen alanlar ritim ve derinlik yarat\u0131yor ve bile\u015fik renk bantlar\u0131 g\u00f6r\u00fcnt\u00fcn\u00fcn titre\u015fiyormu\u015f gibi g\u00f6r\u00fcnmesini sa\u011fl\u0131yor. Ba\u015fka bir deyi\u015fle, Kupka geometrik soyutlamay\u0131 statik b\u00f6l\u00fcmlendirmeden dinamik \u00fcretime ta\u015f\u0131d\u0131. Daireleri g\u00f6r\u00fcnt\u00fcy\u00fc s\u00fcslemek i\u00e7in de\u011fil, d\u00fczeni sa\u011flamak, spektrumu organize etmek, m\u00fczi\u011fi sim\u00fcle etmek ve izleyicinin s\u00fcrekli bir d\u00f6n\u00fc\u015f ve geni\u015fleme deneyimi ya\u015famas\u0131n\u0131 sa\u011flamak i\u00e7in kulland\u0131.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00c7a\u011fda\u015f bir yarat\u0131c\u0131 bak\u0131\u015f a\u00e7\u0131s\u0131ndan, bu \u00e7al\u0131\u015fma h\u00e2l\u00e2 e\u015fmerkezli geni\u015fleme mod\u00fcl\u00fc i\u00e7in do\u011frudan ilham kayna\u011f\u0131 sunmaktad\u0131r. Sabit bir kal\u0131p de\u011fil, geni\u015fletilebilir, parametrelendirilebilir ve dinamik dairesel yap\u0131sal mant\u0131klar sundu\u011fu i\u00e7in, \u00f6zellikle \u0131\u015f\u0131k enstalasyonlar\u0131na, cam ara katmanlara, ses g\u00f6rselle\u015ftirmelerine, etkile\u015fimli projeksiyonlara, aray\u00fcz animasyonlar\u0131na ve mekansal y\u00f6nlendirme sistemlerine d\u00f6n\u00fc\u015ft\u00fcr\u00fclmeye \u00e7ok uygundur. Merkez, yar\u0131\u00e7ap, renk spektrumu, katmanlama ve dif\u00fczyon\u2014bu unsurlar\u0131n t\u00fcm\u00fc \u00e7a\u011fda\u015f malzemeler ve dijital medya i\u00e7inde b\u00fcy\u00fcmeye devam edebilir. Bu nedenle, *\u201cNewton Diskleri\u201d i\u00e7in \u00c7al\u0131\u015fma*, Kupka&#039;n\u0131n soyut ke\u015fiflerinde \u00f6nemli bir al\u0131\u015ft\u0131rma olmas\u0131n\u0131n yan\u0131 s\u0131ra, geometrik formdan g\u00f6rsel bir sisteme &quot;e\u015fmerkezli geni\u015fleme mod\u00fcl\u00fc&quot;n\u00fcn geli\u015ftirilmesi i\u00e7in de \u00f6nemli bir prototiptir.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"480\" height=\"480\" src=\"https:\/\/arttao.net\/wp-content\/uploads\/2026\/02\/art691.gif\" alt=\"\" class=\"wp-image-864\" style=\"width:69px;height:auto\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">\r\n        <div class=\"arttao-tts-wrap\" data-selector=\".entry-content p, .entry-content li, .arttao-tts-source-content p\" style=\"margin:12px 0;\">\r\n          <audio id=\"arttao-tts-audio\" controls preload=\"none\" style=\"width:100%; max-width:800px;\"><\/audio>\r\n          <div id=\"arttao-tts-status\" style=\"font-size:13px; margin-top:6px; color:#F7FFFF;\"><\/div>\r\n        <\/div>\r\n        <details class=\"arttao-tts-accordion\" style=\"margin: 20px 0;\">\r\n            <summary>Dersler F2-13: Franti\u0161ek Kupka&#039;n\u0131n Eserlerinin Analizi (Okumay\u0131 g\u00f6r\u00fcnt\u00fclemek ve dinlemek i\u00e7in t\u0131klay\u0131n)<\/summary>\r\n            <div class=\"arttao-tts-source-content\">\r\n                <\/p>\n<p class=\"wp-block-paragraph\">Franti\u0161ek Kupka&#039;n\u0131n 1911-1912 civar\u0131nda yapt\u0131\u011f\u0131 ve 1912 tarihli bir yaz\u0131t i\u00e7eren *\u201cNewton Diskleri\u201d i\u00e7in \u00c7al\u0131\u015fma* adl\u0131 eseri, \u015fu anda New York&#039;taki Guggenheim M\u00fczesi&#039;nde bulunmaktad\u0131r. Ka\u011f\u0131t \u00fczerine yap\u0131lm\u0131\u015f olan eser, yakla\u015f\u0131k 24,8 \u00d7 27,9 cm \u00f6l\u00e7\u00fclerindedir. Ka\u011f\u0131t \u00fczerine bir \u00e7al\u0131\u015fma olmas\u0131na ra\u011fmen, marjinal bir eskiz de\u011fil, Kupka&#039;n\u0131n saf soyutlamaya do\u011fru yolculu\u011funda \u00f6nemli bir bi\u00e7imsel deneydir. Guggenheim bu eseri Orffian koleksiyonuna dahil etmi\u015f ve *Newton Diskleri (\u201c\u0130ki Renkte F\u00fcg\u201d i\u00e7in \u00c7al\u0131\u015fma)* resmi ba\u015fl\u0131\u011f\u0131, Kupka&#039;n\u0131n renk, optik ve m\u00fczikal organizasyonu yeni bir soyut dilde birle\u015ftirmeye \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131 daha da g\u00f6stermektedir. &quot;E\u015f merkezli geni\u015fleme mod\u00fclleri&quot; ba\u011flam\u0131nda anla\u015f\u0131ld\u0131\u011f\u0131nda, tipikli\u011fi \u00e7arp\u0131c\u0131d\u0131r. Kompozisyon, yatay veya dikey bir \u0131zgaraya de\u011fil, merkezlerden d\u0131\u015fa do\u011fru geni\u015fleyen merkezler, diskler, yaylar ve dairesel renk bantlar\u0131ndan olu\u015fan temel bir d\u00fczene dayanmaktad\u0131r. Buradaki &quot;e\u015fmerkezlilik&quot; mekanik bir \u00e7\u0131nlama de\u011fil, ritmik bir geni\u015fleme yap\u0131s\u0131d\u0131r: baz\u0131 diskler tam ve nettir, baz\u0131lar\u0131 sadece yay \u015feklindedir, baz\u0131 renk halkalar\u0131 birbirinin \u00fczerine biner ve baz\u0131lar\u0131 resmin kenar\u0131na do\u011fru yay\u0131l\u0131yor gibi g\u00f6r\u00fcn\u00fcr. Ba\u015fka bir deyi\u015fle, Kupka statik dairesel nesneler tasvir etmiyor, \u00e7evresel ili\u015fkiler kullanarak s\u00fcrekli ta\u015fan bir g\u00f6rsel enerji alan\u0131 d\u00fczenliyor. Bu \u00e7al\u0131\u015fman\u0131n en dikkat \u00e7ekici y\u00f6n\u00fc, &quot;daireyi&quot; s\u0131radan bir geometrik bi\u00e7imden yap\u0131sal bir ilkeye y\u00fckseltmesidir. Britannica&#039;n\u0131n &quot;Newton Diskleri (\u0130ki Renkte F\u00fcg i\u00e7in \u00c7al\u0131\u015fma)&quot; adl\u0131 resmi eser hakk\u0131ndaki a\u00e7\u0131klamas\u0131, ba\u015fl\u0131\u011f\u0131n do\u011frudan Newton&#039;un spektrum \u00fczerine yapt\u0131\u011f\u0131 ara\u015ft\u0131rmalarla, yani g\u00fcne\u015f \u0131\u015f\u0131\u011f\u0131n\u0131n s\u00fcrekli bir spektruma ayr\u0131\u015ft\u0131r\u0131labilece\u011fi fikriyle ilgili oldu\u011funu belirtiyor. Bu \u00e7al\u0131\u015fmada, k\u0131rm\u0131z\u0131, turuncu, sar\u0131, ye\u015fil ve mavi bantlar bir nesnenin y\u00fczeyine ba\u011fl\u0131 de\u011fil, d\u00f6nen, \u00fcst \u00fcste binen ve ilerleyen dairesel bir sistem halinde d\u00fczenlenmi\u015ftir. Burada renk art\u0131k bir dolgu malzemesi de\u011fil, yap\u0131n\u0131n kendisinin bir par\u00e7as\u0131: renkler d\u0131\u015fa do\u011fru ne kadar geni\u015flerse, \u00e7evresel d\u00fczen o kadar g\u00fc\u00e7lenir ve b\u00f6ylece t\u00fcm resim merkezden d\u0131\u015fa do\u011fru ritmik bir titre\u015fim kazan\u0131r. G\u00f6rsel olarak, bu eserin cazibesi simetride de\u011fil, &quot;hareket i\u00e7indeki d\u00fczende&quot; yatmaktad\u0131r. E\u015f merkezli geni\u015fleyen mod\u00fcller genellikle kat\u0131 bir tekrara d\u00fc\u015fer, ancak Kupka, boyut farkl\u0131l\u0131klar\u0131, s\u00fcreksiz e\u011friler, \u00fcst \u00fcste binen renk katmanlar\u0131 ve y\u00f6n de\u011fi\u015fiklikleri yoluyla g\u00f6r\u00fcnt\u00fcn\u00fcn canl\u0131l\u0131\u011f\u0131n\u0131 korur. \u0130zleyicinin g\u00f6rd\u00fc\u011f\u00fc \u015fey, kat\u0131, kilitli bir dairesel sistem de\u011fil, s\u00fcrekli titre\u015fen diskler, ses dalgalar\u0131 veya izler dizisidir. Bu nedenle, bu eser d\u00fczlemsel bir soyutlama olmas\u0131na ra\u011fmen, g\u00fc\u00e7l\u00fc bir zaman ve m\u00fczik duygusuna sahiptir. Britannica, ba\u015fl\u0131kta ge\u00e7en &quot;F\u00fcg&quot;\u00fcn m\u00fczikteki f\u00fcge at\u0131fta bulundu\u011funu a\u00e7\u0131k\u00e7a belirtir ve Kupka, g\u00f6rsel yap\u0131y\u0131 bir m\u00fczik temas\u0131 gibi tekrar ettirmeye, \u00e7e\u015fitlendirmeye ve ilerletmeye \u00e7al\u0131\u015fmaktad\u0131r. Bu ayn\u0131 zamanda *\u201cNewton Diskleri\u201d i\u00e7in \u00c7al\u0131\u015fma*&#039;n\u0131n geometrik soyutlama tarihinde neden bu kadar \u00f6nemli oldu\u011funu da a\u00e7\u0131klar. Bu eser, &quot;e\u015f merkezli geni\u015fleyen mod\u00fcllerin&quot; sadece i\u00e7 i\u00e7e ge\u00e7mi\u015f daireler olmad\u0131\u011f\u0131n\u0131, daha karma\u015f\u0131k bir alg\u0131 sistemine d\u00f6n\u00fc\u015febilece\u011fini g\u00f6steriyor: merkez odaklan\u0131yor, d\u0131\u015f halkalar yay\u0131l\u0131yor, \u00fcst \u00fcste binen k\u0131s\u0131mlar ritim ve derinlik yarat\u0131yor ve bile\u015fik renk bantlar\u0131 g\u00f6r\u00fcnt\u00fcn\u00fcn titre\u015fiyormu\u015f gibi g\u00f6r\u00fcnmesini sa\u011fl\u0131yor. Ba\u015fka bir deyi\u015fle, Kupka geometrik soyutlamay\u0131 statik b\u00f6l\u00fcnmeden dinamik \u00fcretime ta\u015f\u0131d\u0131. Daireleri g\u00f6r\u00fcnt\u00fcy\u00fc s\u00fcslemek i\u00e7in de\u011fil, d\u00fczeni sa\u011flamak, spektrumu organize etmek, m\u00fczi\u011fi sim\u00fcle etmek ve izleyicinin s\u00fcrekli bir d\u00f6n\u00fc\u015f ve geni\u015fleme deneyimi ya\u015famas\u0131n\u0131 sa\u011flamak i\u00e7in kulland\u0131. G\u00fcn\u00fcm\u00fcz\u00fcn yarat\u0131c\u0131 bak\u0131\u015f a\u00e7\u0131s\u0131ndan, bu eser hala e\u015f merkezli geni\u015fleme mod\u00fcl\u00fcne do\u011frudan ilham veriyor. Sabit bir desen de\u011fil, b\u00fcy\u00fct\u00fclebilen, parametrelendirilebilen ve dinamik hale getirilebilen dairesel bir yap\u0131sal mant\u0131k seti sundu\u011fu i\u00e7in \u00f6zellikle \u0131\u015f\u0131k enstalasyonlar\u0131na, cam ara katmanlara, ses g\u00f6rselle\u015ftirmelerine, etkile\u015fimli projeksiyonlara, aray\u00fcz animasyonlar\u0131na ve mekansal y\u00f6nlendirme sistemlerine d\u00f6n\u00fc\u015ft\u00fcr\u00fclmeye uygundur. Merkez, yar\u0131\u00e7ap, spektrum, katmanlama, yay\u0131lma\u2014bu unsurlar \u00e7a\u011fda\u015f malzemeler ve dijital medya i\u00e7inde b\u00fcy\u00fcmeye devam edebilir. Bu nedenle, *\u201cNewton Diskleri\u201d \u00c7al\u0131\u015fmas\u0131*, Kupka&#039;n\u0131n soyut ara\u015ft\u0131rmalar\u0131nda \u00f6nemli bir \u00e7al\u0131\u015fma olmakla kalmay\u0131p, ayn\u0131 zamanda geometrik formdan g\u00f6rsel bir sisteme &quot;e\u015f merkezli geni\u015fleme mod\u00fcl\u00fc&quot;n\u00fcn geli\u015ftirilmesi i\u00e7in de \u00f6nemli bir prototiptir.<\/p>\n<p class=\"wp-block-paragraph\">\n\r\n            <\/div>\r\n        <\/details><\/p>","protected":false},"excerpt":{"rendered":"<p>Franti\u0161ek Kupka \u7684\u300aStudy for \u201cDisks of Newton\u201d\u300b\u7ea6\u4f5c\u4e8e 1911\u2014 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_crdt_document":"","footnotes":""},"class_list":["post-2148","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arttao.net\/tr\/wp-json\/wp\/v2\/pages\/2148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arttao.net\/tr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arttao.net\/tr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arttao.net\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arttao.net\/tr\/wp-json\/wp\/v2\/comments?post=2148"}],"version-history":[{"count":4,"href":"https:\/\/arttao.net\/tr\/wp-json\/wp\/v2\/pages\/2148\/revisions"}],"predecessor-version":[{"id":2162,"href":"https:\/\/arttao.net\/tr\/wp-json\/wp\/v2\/pages\/2148\/revisions\/2162"}],"wp:attachment":[{"href":"https:\/\/arttao.net\/tr\/wp-json\/wp\/v2\/media?parent=2148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}